season 2

project

performative lecture

2023

how long the war lasts

performative lecture in 3D space on the link between time and identity within the temporal regime created by war

Schedule

9 December, Sat

event has ended

23 December, Sat

event has ended

about

"in this work, i, as a person who, after the war, lost not just identity but understanding why one should possess it, wanted to closely examine the connection between war, the temporal regime it creates, and the identities that emerge and shift over time and space as a result of war and its time."

— Vitya Vilisov

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SEE MORE

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Behind Behind-the-Сцена of Friendship eng

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Behind Behind-the-Сцена of Friendship eng

an investigation into friendship through personal experience, academic knowledge, and performance

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We've started our third season and are looking for projects that reflect on the connections and ruptures caused by Russia's full-scale war in Ukraine. Deadline: May 30th.

, time to read:

We've started our third season and are looking for projects that reflect on the connections and ruptures caused by Russia's full-scale war in Ukraine. Deadline: May 30th.

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what are you doing?

audio series about russian couples separated by war

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what are you doing?

audio series about russian couples separated by war

performative lecture

, time to read:

how long the war lasts

performative lecture in 3D space on the link between time and identity within the temporal regime created by war

performative lecture

, time to read:

how long the war lasts

performative lecture in 3D space on the link between time and identity within the temporal regime created by war

documentary performance

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documentary perfomance on the use of water and access to water as a tool of warfare

documentary performance

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documentary perfomance on the use of water and access to water as a tool of warfare

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die.könige.project

webzine about experiencing hegemonic masculinity during wartime

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die.könige.project

webzine about experiencing hegemonic masculinity during wartime

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The Constitution of Metarussia

the play performatizes the situation of a film screening, inviting a collaborative exploration of how identity persists beyond familiar, local contexts

, time to read:

The Constitution of Metarussia

the play performatizes the situation of a film screening, inviting a collaborative exploration of how identity persists beyond familiar, local contexts

, time to read:

i’m this type of tree

series of digital performances as a part of the psychogenealogy lab

, time to read:

i’m this type of tree

series of digital performances as a part of the psychogenealogy lab

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performative film screening exploring the buryat migration to mongolia amidst the war

, time to read:

performative film screening exploring the buryat migration to mongolia amidst the war

, time to read:

decoloniality begins with attempts to understand one's future

conversation with Madina Tlostanova on identities and creative practices in the context of Russian imperialism and Russia's war in Ukraine. Part 2

, time to read:

decoloniality begins with attempts to understand one's future

conversation with Madina Tlostanova on identities and creative practices in the context of Russian imperialism and Russia's war in Ukraine. Part 2

, time to read:

everyone will be taken into the futures

Online labs where participants discuss decoloniality and envision the future

, time to read:

everyone will be taken into the futures

Online labs where participants discuss decoloniality and envision the future

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it's a traumas competition. we need to learn to listen to each other.

conversation with Madina Tlostanova on identities and creative practices in the context of Russian imperialism and Russia's war in Ukraine. Part 1

, time to read:

it's a traumas competition. we need to learn to listen to each other.

conversation with Madina Tlostanova on identities and creative practices in the context of Russian imperialism and Russia's war in Ukraine. Part 1

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how actionism failed to save russia

Roman Osminkin on the transition of actionism and art activism in the 2010s from isolated heroic gestures and masculine subjectivity to feminist strategies of "distributed performativity."

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how actionism failed to save russia

Roman Osminkin on the transition of actionism and art activism in the 2010s from isolated heroic gestures and masculine subjectivity to feminist strategies of "distributed performativity."

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after the trauma

webzine exploring the impact of trauma on the brain and human behavior

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after the trauma

webzine exploring the impact of trauma on the brain and human behavior

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cycle of audio dramas about young women from Ukraine

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cycle of audio dramas about young women from Ukraine

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unwritten history. russian theater in political perspective

discussion between Alexandra Dunaeva and Valery Zolotukhin on the necessity of rethinking theater in light of the onset of war.

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unwritten history. russian theater in political perspective

discussion between Alexandra Dunaeva and Valery Zolotukhin on the necessity of rethinking theater in light of the onset of war.

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a nail artist from ukraine creates manicures with anti-war symbolism and discusses freedom with clients

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a nail artist from ukraine creates manicures with anti-war symbolism and discusses freedom with clients

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political theater in russia. late and bitter experience of self-knowledge

christina matvienko on the issues of expressing political in russian theater from the 2000s to the early 2020s

, time to read:

political theater in russia. late and bitter experience of self-knowledge

christina matvienko on the issues of expressing political in russian theater from the 2000s to the early 2020s

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lesson of russenorsk and school of good-neighborliness

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lesson of russenorsk and school of good-neighborliness

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audio drama based on eyewitness accounts of the war in ukraine

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audio drama based on eyewitness accounts of the war in ukraine

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from nowhere with love

laboratory based on practices of space appropriation and nostalgia

, time to read:

from nowhere with love

laboratory based on practices of space appropriation and nostalgia

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How do you accept the terrifying aspects of a beloved person? Is it possible to reject both the terrifying and the familiar? This memory-performance created by Alexander Kudryashov explores these questions through the story of his father who fought in Chechnya

, time to read:

How do you accept the terrifying aspects of a beloved person? Is it possible to reject both the terrifying and the familiar? This memory-performance created by Alexander Kudryashov explores these questions through the story of his father who fought in Chechnya

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